The 25th of March saw the second M.A.D
(Melbourne Alternative Designers) Fashion Showcase and once again I was invited
along as media. Born from Lyris Deign and Clockwork Butterfly, this event aims
to display the alternative community to the alternative community, promoting
Australian designers and artists.
Last year’s show was an immense success, with only a few
issues, for example too loud music during intermission. This year’s show
clearly took all feedback on board and made improvements; the music was a lot
quieter and made communicating with stall holders easier. This year they
introduced a ‘No Flash Photography’ rule, which I found to be a good step in
improvement. From my perspective it meant I did not have to worry about
batteries and flash syncing, for the models it meant not being blinded on the
catwalk, and for the audience it meant not having flashes interrupting their
experience.
Once again, the show was well organized and run. With
doors opening as scheduled, and the shows and intermissions running on time.
The market was set up which allowed ease to walk down the aisles and chat with
stall holders. This year hosted many more stalls, and I hope they do not
overbook in the future as it will make moving hard. Intermission also featured
low-light which made looking at wares difficult, but the lights were turned
higher after the show.
With Richard Vegas the magician, as MC, the show began
with a performance by Merryn Louise, Circus Artist. Featuring hula hoops, she
captivated the audience with spinning the hoops on various body parts. It may
seem like a simple routine, but everyone has tried to hula, and everyone knows
how difficult it is.
The first designer of the evening was Lady Moon Designs.
Showcasing clothing for events (or daily wear if you are adventurous), her
primary theme was blacks, blues, and purples. She knows how to utilize draping
in her clothing, creating articles that effectively hug, skim, and flow around
the body. A nice touch was a dress featuring her famous butterfly wing motif, I
am glad she did not over-do this motif (as can happen if you are known for
something), but also glad she did keep it in this collection.
The highlight for this designer was a black, chest
fitting dress with sheer draping bottom and flowing sleeves. Beneath, purple
peaks out from underneath the dress, creating a burst of colour against the
black. Finishing off the look was a lace neck piece, adding a modest touch to
the dress, if one desires.
MUA: Makeup by Marie Walter
Hair: RT Hair and Makeup Artistry
MUA: Makeup by Marie Walter
Hair: RT Hair and Makeup Artistry
Model: Marie Walter
Model: Marie Walter
Model: Tahlia Celeen
Model: Bedky
Model: Aisha
Diandra
Model: Maddison
Ponting
The next in show was Custom Creations by Anntoinette, an upcoming designer. Featuring more costume-based looks, some of these looks would also suit alternative events. There was no colour theme for this show, but each outfit had their own theme and individual character. From deep plums, to greens, to whites, Anntoinette knows how utilize colour theory to create an aesthetically pleasing palette. The garments ranged from large ball gowns to simpler (but hardly simple) corsets and skirts, each of them clearly expertly crafted. My favourite from this designer was a green witch outfit. Featuring flowing dress, a deeper green, low cut, coat is cinched below the bust; complimenting the wearer’s natural waist. Another piece I loved was a plum headpiece featuring blue lights inside.
MUA: Foxx Makeup
Hair: My Place Hair and Beauty
The next in show was Custom Creations by Anntoinette, an upcoming designer. Featuring more costume-based looks, some of these looks would also suit alternative events. There was no colour theme for this show, but each outfit had their own theme and individual character. From deep plums, to greens, to whites, Anntoinette knows how utilize colour theory to create an aesthetically pleasing palette. The garments ranged from large ball gowns to simpler (but hardly simple) corsets and skirts, each of them clearly expertly crafted. My favourite from this designer was a green witch outfit. Featuring flowing dress, a deeper green, low cut, coat is cinched below the bust; complimenting the wearer’s natural waist. Another piece I loved was a plum headpiece featuring blue lights inside.
MUA: Foxx Makeup
Hair: My Place Hair and Beauty
Model: Luna Madness
Model: Luna Madness
Model: Heidi Roleff
Model: Julia Lewis
Model: Burgundy Phoenix
Model: Jemima Strambini
Model: Anntoinette Matyson
Following was another upcoming designer, The Lioness and her Unicorns. This designer showcased her corset and lingerie designs. Once again, there was no colour theme overall, but each look had a cohesive and effective colour palette. The corsets clearly had a lot of work and care put into them, several of them featuring designs other than the typical modern corset cut. So it is a shame that some of the skirts paired with them looked more like lace material quickly draped around the models’ waists. I know time can be difficult before a show, but I think if those couple models had just worn underwear than all focus would have been on the amazing corsets. My highlight from this designer was a pair of red high-waisted underwear, with matching bra. Black lace fabric had been sewn over red, creating texture on the garment, and the cut is one that is both modest and erotic.
Headdresses: The Cosmic Beehive
Shoes: Shoe Envy
Outfit Name: Trust
Outfit Colour: Lapis Lazuli
Shoes: Shoe Envy
Headdress: The Cosmic Beehive
Headdress: The Cosmic Beehive
Outfit name: Courage
Outfit colour: Topaz
Model: Aruna
Shoes: Shoe Envy
Headdress: The Cosmic Beehive
H/MUA: Alexia's hair and makeup
Outfit colour: Topaz
Model: Aruna
Shoes: Shoe Envy
Headdress: The Cosmic Beehive
H/MUA: Alexia's hair and makeup
Outfit
name: Romance
Outfit
colour: Onyx
Model: Angela Sinister
Shoes: Shoe EnvyHeaddress: The Cosmic Beehive
H/MUA: Alexia's hair and makeup
Outfit name: Benevolance
Outfit colour: Citrine
Outfit colour: Citrine
Model: Anna Phalactic
H/MUA: Ru Makeup
H/MUA: Ru Makeup
Outfit name: Joy
Outfit name: Devotion
Outfit colour: Amethyst
Model: Hannah Boom Lector
H/MUA: Tiffany KK Makeup
Outfit colour: Amethyst
Model: Hannah Boom Lector
H/MUA: Tiffany KK Makeup
Next was Von Chibi, featuring every day and evening wear.
Von Chibi’s work has continued to improve, from Lolita styled dresses, to
corsets and skirts, her sewing and overall execution of looks clearly
articulates a tale behind each garment. Blacks, greys, and deep colours are the
main theme for this designer’s runway, but she also manages to create
alternative looks with ivory and pinks. My highlight for Von Chibi’s set was a
20’s inspired, grunge Lolita look. Featuring a pink dress, grey fur shawl, and
cinched waist, this looks bring the aesthetics of the 20s into a modern
friendly, alternative look.
MUA: Cassahra Rose
Hair: Scarab Habib
Headpieces: Cherry Pie Millinery
MUA: Cassahra Rose
Hair: Scarab Habib
Headpieces: Cherry Pie Millinery
Model: Annie
Cat Plush: Cloth and Thread
Cat Plush: Cloth and Thread
Model: Jessica Rae
Model: Jessica Rae
Model: Mai
Model: Hannah Carboon
Model: Dayle Kerr
Model: Cj Chandler
Model: Cj Chandler
Ending the first half of the runway show was ClockworkButterfly, presenting a single look featuring horns by Tentacle Spine. Inspired
by the legend of Cerci, this look featured asymmetrical cuts and layering;
creating a unique silhouette. The outfit featured blue-greens, and golds, a
divergence from Clockwork’s usual palette, but one which speaks of royalty and
riches. Eloquent Mx Loki, modelling the garment, also embodied Cerci; enhancing
the viewer to draw them in, but turning them down to let them know their place.
Model/MUA/Wig Styling: Eloquent Mx Loki
Model/MUA/Wig Styling: Eloquent Mx Loki
The second half of the show began with a performance by
Julia Madotti. Featuring quick costume change,
and puppets, the performance was entertaining but did feel too full of
different types of tricks, so none were amazing.
The first designer up was Marquis de Sade. Their catwalk
can be divided into business and fetish wear. The business ware, which was not
particularly alternative, featured nicely tailored women’s business suits;
jackets and skirts. The fetish wear featured corsets, cloaks, and leather. With
BDSM’s traditional red and black, Marquis de Sade showed off how both women and
men could wear their fashions. My highlight was a Marie Antoinette inspired
gown, an off-white dress embellished with silver, and with old style corset
this dress was something I had not seen from the designer before. Which is a
shame, as I have seen these designs from Marquis de Sade on every runway I have
seen them on. The collection is new and exciting for those who have not seen it
before, but tiring for those who have as we know they have so much more to
showcase.
Models: Hayley
Anderson, Irina Nidis, Kia Stanford, Charms Dickie, Kenny Law, Airlie Rose
Towie, Ian Marshall, Ellen Violet Turnor, Umi Gilette, Lily Chapman, Alice
Blackburn, Neil MG, Chantelle Palamara
MUA: Elena Lieu of Elenavation Face and Body Art and assistant
Hair Stylist:
Ange Events Hair Styling and assistant Fabienne Westley
Next up was Assassinus with their metal couture. At the
start of their walk I could already see improvements in presentation from last
year; no more distracting red ties. All ties were black, and the model’s
undergarments felt uniform, leaving the audience to focus on the metal outfits.
And these metal creations could easily be added to most outfits for an event,
or everyday if you’re feeling adventurous. Featuring primarily silver coloured metals
the outfits provide a nice contrast to black, and a harmonious colouring to
white. But they also featured copper coloured metals, which still contrast
nicely to black, but gives that extra bit of colour to break up the achromatic
look. My highlight was not actually their metal pieces, but a new material;
plastic. The clear plastic had been moulded into a corset, and into a posture
collar/neck piece. Whilst I am not convinced on their displaying on it; I love
transparent materials on nude skin as it creates an uncanny barrier in which
one is covered and not covered. But I understand it might have been too much
for the event, and they would have wanted to have shown it on clothes to
display its diversity.
Models: Angela Livingstone, Meeka Gabrielle, Tara Morgan, Ryoko Sakane, Anna Palasz
H/MUA: Kaori Taniguchi
Models: Angela Livingstone, Meeka Gabrielle, Tara Morgan, Ryoko Sakane, Anna Palasz
H/MUA: Kaori Taniguchi
Following was Cherry Pie Millinery, featuring masks and
headwear for events and costumes. Whilst there was no overlaying theme, each
look created a complete and cohesive character. Cherry Pie knows how to utilize
pleasing colour palettes, and include the right amount of detail in her
creations; they are complicated to be impressive, but not overworked and to be
too busy and an eyesore. I enjoy the little touches she includes, like gems to
dazzle in the light, or a gradient in colour. I particularly loved a
carousal/circus mask and headpiece. A peach colour, it featured beading of the
same colour; giving the pieces subtle pattern and texture, but also beading in
pastel blue, creating a lovely contrast. It also utilized ostrich feathers, an
expensive touch that many designers ignore, and carried jewels and beading up
the feathers to uniform the head with them.
Models: Taffy and Ginger
Snapz
Model: Ginger
Snapz
Models: Taffy and Ginger
Snapz
Model: Tiki
Amazon
Model: Tiki
Amazon
Model: Lucky
Dip
Model: Lucky
Dip
Model: Elizabeth
Black
Model: Demolita
Mortier
Model: Loli
Box
Model: Annie
Italiano
Up next was Graffiti Couture, presented by Alexandra Zvi,
featuring every day and evening wear. I would
describe this collection as couture meets grandma’s quilting room, and I love
it. The garments are tailored to fit the body, and are clearly made by someone
with years, if not decades, of experience. Alexandra knows how to create unique
and memorable silhouettes by layering form fitting and gathered articles. As
for “grandma’s quilting room”, this comes from the unique, patterned fabrics
that have been combined together in each look. This is not to everyone’s taste,
but I love it, it feels high-fashion inspired; where the clothing is more about
art than wearing. Alexandra also knows how to use colours and patterns that
flow and work together. My highlight was a sleeveless blouse, with a gathered
red tartan skirt, and an almost patchwork waist cincher which reflects the
tartan colours. I also loved a purple and grey corset with a large gowned
bottom, featuring flower motifs.
Models: Amber Gelinas, Babushka Férenczi, Claire Auls, Sara Salmeron, Rosie Roulette, Stephanie English
Models: Amber Gelinas, Babushka Férenczi, Claire Auls, Sara Salmeron, Rosie Roulette, Stephanie English
HMUA:
Big Red Lipstick, Head makeup artist: Christine De Saini, Assistant Makeup
Artist: Rachael Wust
Finishing the night was Lyris Design, featuring her
famous corseted event and costume wear. In a community full of corsets, Lyris
is making her mark with her professional sewing and minute detailing. Each
dress on the runway featured small and smaller flowers creating texture, and
pathways for the eyes to follow down the garment. These flowers were handmade
and makes and expensive gown into an exquisite gown. My highlight from her was
an Autumn inspired gown. Featuring an orange under bust corset, with painted
and jewelled leaves, Lyris paired it with a moulded leaf breast plate, but it
could easily be paired with a top or over a dress. Its skirt diverged from
Lyris’ usual flowing gown, instead being form fitting on the hips and gathered
at the back, where sculpted autumn leaves tied the theme together. My only qualm
about this look was the lack of modesty panel, I know this is a trend with
corsets lately, but it creates an unflattering look at the back.
H/MUA: Gorejess Design
H/MUA: Gorejess Design
Model: Lucy Luxburn
Model: Lucy Luxburn
Model: Dani Van Groeningen
Model: Vivien Katherine
Model: SaSa LeStrange
Model: SaSa LeStrange
Model: Silhouette d'Amour
And so the second M.A.D Fashion Showcase came to a close.
Once again, it was a success; introducing new designers, and showing
improvements in known ones. It was a lot more known this year, but it clearly
did not purposefully oversell tickets as the venue was nicely full and not
overcrowded. The marketplace has grown and they are definitely aiming to create
an event that is not only successful for the audience, but for the designers as
well.
I am definitely looking forward to next years.
Designers/Models/H-MUA please let me know if you're here uncredited so I can correct it.
You are also free to use these photos, simply credit me at Slippery Photography on Facebook
Designers/Models/H-MUA please let me know if you're here uncredited so I can correct it.
You are also free to use these photos, simply credit me at Slippery Photography on Facebook
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